Category: Introduction to Sound Arts
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WEEK8
Aphex Twin’s “Windowlicker” is a standout in electronic music, known for its distinctive sound design and innovative composition. Gesture and Texture Gestures in this track are marked by sudden rhythm shifts and dramatic sound effects. The soft groove at the start is interrupted by sharp brake sounds and heavy, irregular beats, creating surprise and tension.…
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WEEK 7
Today at Trinity Buoy Wharf, I had the chance to experience a truly unique sound art piece—Jem Finer’s “Longplayer.” This work began playing on January 1, 2000, and is designed to continue for 1,000 years. Honestly, the concept alone is mind-blowing. Who could live for 1,000 years? No one. And that’s precisely what makes it…
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WEEK 6
Confusing Quote: “Sound art plays multiple roles in modern society; it is not only a medium of artistic expression but also a reflection of social and cultural backgrounds. Through sound, artists explore the relationships between individuals and their environments, as well as between the individual and the collective.”—— Background Noise: Perspectives on Sound Art by…
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WEEK 5
Conference Content and Reflection: Graeme Miller’s LINKED In this meeting, we had the privilege of experiencing Graeme Miller’s sound art piece, LINKED. This work has been around for over twenty years and has recently been restored, showcasing its unique charm in interacting with public spaces. Experience and Impressions After gathering in the foyer of the…
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WEEK 4
Selected Sound Art Piece: Christian Marclay’s The Clock Historical Background Christian Marclay’s The Clock is a 24-hour video artwork that premiered in 2010. It compiles thousands of film and television clips that feature clocks or references to time, meticulously edited to create a continuous narrative that aligns with real time. As viewers watch, the piece…
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WEEK 3
Selected Sound Art Piece: John Cage’s 4’33” Historical Background John Cage was one of the most influential composers of the 20th century, and his piece 4’33” premiered in 1952, performed by pianist David Herbert. This work is considered a hallmark of avant-garde music, challenging the traditional definitions and expressions of music. In 4’33”, the performer…
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WEEK 1
Sound art has always fascinated me, largely because it feels unbound by any singular concept or genre. To me, sound art is fluid, uncertain, ever-evolving, and always challenging itself. It’s an art form that can collaborate with, fuse into, and transform alongside any other medium. This openness is what excites me the most. I’ve always…